“She’s not one to waste time and leave stage and do the awkward thing.” But she bounded back on stage, punched up the mains on her Pioneer DJ rack, and summoned the subs back to life.įor true bassheads, only frequencies so low can rouse spirits so high. “CloZee doesn’t do many encores,” Morgenstern explains after the fact. Granted, each offered only a handful of tables in order to be COVID-safe, but still, the chances of snagging one seemed akin to winning the lottery.Īs for the fans in this crowd? Even after CloZee left the stage, they only got louder in their chanting, clapping and whistling. Her eight shows at the Mishawaka sold out within minutes. Whatever you call it, CloZee has a sound all her own, and her fans can’t get enough of it. The 28-year-old French phenom is known for her soaring sounds and organic combinations of bass grooves, world instruments and tribal chanting.
Over the past few years, CloZee has risen quickly through the ranks of the electronic-music scene. Then again, he’d seen similar reactions many times while collaborating with the headliner: Everyone goes nuts for CloZee. Only tonight their adulation seemed next-level. This November 7 spectacle was the penultimate performance of an eight-show run, and every night the small crowds - just over 100 people socially distanced around tables and huddled by fire pits to keep warm - had danced and cheered with abandon. From his perch behind the lighting console at the Mishawaka Amphitheatre - the famed venue tucked a few sharp bends up the Poudre River from Fort Collins - the audiovisual engineer was working his seventh concert in ten days, including Halloween. Michael Morgenstern shook his head in amazement. But not your obligatory Oh, the show’s over so I should clap now type of cheering. As the music’s final notes disappeared into the steep walls surrounding Poudre Canyon, they were replaced by a new sound.
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